Do Re Mi

  • Watch: New Singing Lesson Videos Can Make Anyone A Great Singer Let's start at the very beginning A very good place to start When you read you begin with A-be-see When you sing you begin with do-re-mi Do-re-mi, do-re-mi The first three notes just happen to be Do-re-mi, do-re-mi Do-re-mi-fa-so-la-ti Let's see if I can make it easy Doe, a deer, a female deer Ray, a drop of golden sun Me, a name.
  • Do-re-mi definition, money. The Oxford comma vexes many a writer (to use or not to use!). Whether you're a fan of the Oxford comma or not, take this quiz to see how good you are at using it (and commas in general) correctly.
  • Do Re Mi puts the concept of notation in correct perspective - a way to write down symbols for sound so that they can be remembered and shared. On interesting angle is the universal frustration of having a great idea and its not being accepted. Brother Guido's persistence pays off.
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Related to do-re-mi: Do ray me


slang Money. Primarily heard in US. Come on, you know I don't make enough do-re-mi to go on an extravagant trip like that.
Farlex Dictionary of Idioms. © 2015 Farlex, Inc, all rights reserved.

Attempting to save their group's singing career, Reggie Mendoza (Regine Velasquez), a self-confessed grandma's girl, and Mikki Tolentino (Mikee Cojuangco), a misandrist tomboy and a toast of her family, discover Donnette Legaspi (Donna Cruz), a vainglorious spoiled brat coming from a rich family, while singing in a restroom, to be part of their musical trio, DoReMi.




Lyrics and do-re-me (ˈdoˈreˈmi)
n. money. (From dough.) It takes too much do-re-mi to live in this part of town.
McGraw-Hill's Dictionary of American Slang and Colloquial Expressions Copyright © 2006 by The McGraw-Hill Companies, Inc. All rights reserved.
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(Redirected from Make Someone Happy (song))
Do Re Mi
MusicJule Styne
LyricsBetty Comden
Adolph Green
BookGarson Kanin
Productions1960 Broadway
1961 West End
1999 Broadway concert

Do Re Mi is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. The plot centers on a minor-league con man who decides to go (somewhat) straight by moving into the legitimate business of juke boxes and music promotion. The musical was headlined by the comedy couple of Phil Silvers and Nancy Walker, both of whom were Tony nominated. Popular songs introduced included 'Cry Like the Wind' and 'Make Someone Happy'.


Do Re MiLyrics

Hubie Cram is 'a loser endlessly scheming to win big.' His long-suffering and patient wife Kay urges him to 'Take a Job,' while he plots. He finds three pals, Fatso O'Rear, Brains Berman and Skin Demopoulos, and they scheme to enter the juke-box business ('It's Legitimate'). Soon they have 300 juke-boxes, which they plan on selling to John Henry Wheeler, a record producer. Hubie discovers a naive singer, Tilda Mullen, and they plan their future ('Ambition'). At a fancy nightclub Hubie explains, and demonstrates, gangster's behavior that he learned from watching the Late Late Show. Kay compares her abandoned comfortable existence with the insecurity of life with Hubie ('Adventure'). Tilda and Wheeler fall in love ('Make Someone Happy'). In the end Hubie realizes that he has nothing except a wonderful marriage.

Design elements[edit]

The musical was notable for its elaborate scenic design by Boris Aronson, who conceived the set as an enormous pop-art jukebox, and used extremely novel forms such as collage in his design. The curtain of juke boxes 'evoked a cathedral's stained-glass effect.'[1] In a scene in a night club, the tables had drawn figures instead of actors, and the actors would talk with these drawings.[2] (A similar design and staging conceit was seen when Silvers guest-starred in a 1967 TV adaptation of Damn Yankees!) And in the 'Fireworks' number, black light is used to reveal shooting stars and Roman candles as Tilda and John's love affair explodes in song.


Act I
  • 'Waiting, Waiting' – Kay Cram.
  • 'All You Need Is a Quarter' – The Swingers.
  • 'Take a Job' – Hubie and Kay Cram.
  • 'It's Legitimate' – Hubie, Fatso O'Rear, Brains Berman, Skin Demopoulos and the Loaders.
  • 'I Know About Love' – John Henry Wheeler.
  • 'The Auditions' – Marsha, Lou and Gretchen.
  • 'Cry Like the Wind' – Tilda Mullen.
  • 'Ambition' – Hubie and Tilda Mullen.
  • 'Success' – The Tilda Mullen Fans, Tilda Mullen, Hubie, Fatso O'Rear, Brains Berman and Skin Demopoulos.
  • 'Fireworks' – Tilda Mullen and John Henry Wheeler.
  • 'What's New at the Zoo' – Tilda Mullen and Animal Girls.
  • 'Asking for You' – John Henry Wheeler.
  • 'The Late, Late Show' – Hubie.
Act II
  • 'Adventure' – Hubie and Kay Cram.
  • 'Make Someone Happy' – John Henry Wheeler and Tilda Mullen.
  • 'Don't Be Ashamed of a Teardrop' – Hubie, Fatso O'Rear, Brains Berman and Skin Demopoulos.
  • 'V.I.P.' – The Public and Hubie.
  • 'All of My Life' – Hubie.
  • Finale – Hubie, Kay Cram and Company.

Original Broadway cast[edit]

  • Hubert Cram – Phil Silvers
  • Kay Cram – Nancy Walker
  • Brains Berman – David Burns
  • Tilda Mullen – Nancy Dussault
  • Skin Demopoulos – George Givot
  • Fatso O'Rear – George Mathews
  • John Henry Wheeler – John Reardon
  • Moe Shtarker – Al Lewis
  • Hubert Cram (understudy) - Bernie West


The musical opened on Broadway at the St. James Theatre on December 26, 1960, transferred to the 54th Street Theatre on December 25, 1961 and closed on January 13, 1962 for a total of 400 performances. Scenic design was by Boris Aronson, assisted by Ming Cho Lee and Lisa Jalowetz, costume design by Irene Sharaff with assistance from Florence Klotz, and choreography was by Marc Breaux and Dee Dee Wood. The producer was David Merrick.

The West End production opened at the Prince of Wales Theatre on October 12, 1961 and ran for 169 performances.[3] It starred Max Bygraves, Maggie Fitzgibbon, and Jan Waters.

Encores! at the New York City Center presented a concert version in 1999 directed by John Rando, choreographed byRandy Skinner and starring Nathan Lane, Brian Stokes Mitchell, Heather Headley and Randy Graff.[4]

The 42nd Street Moon theatre company, San Francisco, California concert version ran in August 2001.[5]

Porchlight Music Theatre, Chicago, Illinois, presented Do Re Mi as a part of their 'Porchlight Revisits' season in which they stage forgotten musicals three times per year. The production was in May 2018. It was directed and choreographed by Christopher Pazdernik and music directed by David Fiorello.[6]


The Original Broadway cast recording was released in January 1961 on RCA Victor. The 1999 Encores! cast recording was released on September 21, 1999 by DRG.[7]

Fusion 360 zoom

In 1961, June Christy and Bob Cooper recorded the album Do-Re-Mi consisting of selections from the musical.

Numbers from both the New York and London productions were also restaged on television for The Ed Sullivan Show and the Royal Variety Performance.

Do Re Mi Clean


The New York Times called the musical 'fast, loud and occasionally funny.' It noted that 'a team of expensive talent has turned out some lively songs, set them in motion in feverishly paced production numbers and has managed to overcome, at least part of the time, the cheapness of a machine-made book.' It commented that Phil Silvers was cast against type, here playing 'the fall guy, the poor sap who ends as the victim.. Betty Comden and Adolph Green have written sprightly lyrics, and Jule Styne has contributed some attractive as well as some ear-shattering tunes. The loveliest is 'Cry Like the Wind' which has the keening quality of a folk song of lamentation.'[8]

According to Stanley Green, the musical had 'an average score that is worth the price just to hear Miss Walker describe her life of 'Adventure'.[9]Ethan Mordden wrote that the song 'Adventure' is 'one of the grandest comedy songs ever.. Here we learn that she, at least, already knows that it's a wonderful marriage, because it's never boring .. then came a Mad Scene - a bolero complete with trumpets pealing out like the band in the Plaza del Toro on corrida day and woodwinds tripping up the scale with the flash of a hundred capes.'[10]

In reviewing the 1999 'Encores!' production for The New York Times, Ben Brantley wrote that, despite its famous creators, 'the show still has the incomplete feeling of a work that never quite meets its own aspirations.. A tale of buffoonish gangsters trying to muscle in on the music industry.' He further suggested that the show was like a 'shotgun marriage' of Bye Bye Birdie and Guys and Dolls with parts of the television sit-com The Honeymooners.[4]

Make Someone Happy[edit]

The song 'Make Someone Happy' has been recorded by numerous artists, including:

  • Perry Como on his subsequent 1962 album Make Someone Happy (US #80, 1960)[11]
  • June Christy for her album Do-Re-Mi (1961)
  • Doris Day for her album Bright and Shiny (1961)
  • Aretha Franklin for her album Laughing on the Outside (1963)
  • Sergio Franchi for his album Broadway, I Love You (1963)
  • Joni James for her album Something for the Boys (1963)
  • Steve Lawrence and Eydie Gorme for their album Two on the Aisle (1963)
  • Dinah Washington for her album Dinah '63 (1963)
  • Sammy Davis Jr. for his album The Shelter of Your Arms (1964)
  • Jimmy Durante for his album Jimmy Durante's Way of Life.. (1964); also appeared on the soundtrack of the film Sleepless in Seattle (1993)
  • Judy Garland for her album 'Live' at the London Palladium (1965)
  • The Supremes for their unreleased album There's a Place for Us (1965) and their live album At the Copa (1965)
  • We Five for their album Make Someone Happy (1967)
  • Bill Evans for his album Alone (Again) (recorded in December 1975 but not released until 1977)
  • Tony Bennett and Bill Evans for their album Together Again (1977)
  • Florence Henderson for an episode of The Brady Bunch Variety Hour (1977)
  • Vic Damone for his album Make Someone Happy (1981)
  • Tierney Sutton for her album On the Other Side (2007)
  • Sophie Milman for her album Make Someone Happy (2007)
  • Kelli O'Hara for her album Wonder in the World (2008)
  • Barbra Streisand for her album Love Is the Answer (2009)
  • Bill Nighy for the film Arthur Christmas (2011)
  • Audra McDonald for her album Go Back Home (2013)
  • Jamie Cullum for his album Interlude (2014)
  • Jeff Goldblum & The Mildred Snitzer Orchestra for their album I Shouldn't Be Telling You This (2019) (featuring Gregory Porter)

Awards and nominations[edit]

Original Broadway production[edit]

1961Tony AwardBest MusicalNominated
Best Performance by a Leading Actor in a MusicalPhil SilversNominated
Best Performance by a Leading Actress in a MusicalNancy WalkerNominated
Best Performance by a Featured Actress in a MusicalNancy DussaultNominated
Best Direction of a MusicalGarson KaninNominated
Theatre World AwardNancy DussaultWon


  1. ^'Boris Aronson', accessed September 3, 2009
  2. ^Mordden, p. 19
  3. ^London shows chronology, 1961, accessed September 3, 2009
  4. ^ abBrantley, Ben.'A Singing Nathan Lane Adds Ham to the Fizz',The New York Times, May 8, 1999
  5. ^Connema, Richard.'Do Re Mi' Review',, accessed June 7, 2012
  6. ^'Porchlight Revisits Do Re Mi Porchlight Music Theatre'. Porchlight Music Theatre. Retrieved 2018-05-15.
  7. ^'Do Re Mi' 1999 album listing, accessed September 3, 2009
  8. ^Taubman, Howard. 'The Theatre: Do Re Mi, a Musical Fast and Loud', The New York Times, December 27, 1960, p. 23
  9. ^Green, Stanley (1984). The World of Musical Comedy, Da Capo Press. ISBN0-306-80207-4, p. 445
  10. ^Mordden, p. 18
  11. ^Joel Whitburn's Top Pop Singles 1955-1990 - ISBN0-89820-089-X

Do Re Mi Anime


Do Re Mi Notes

  • Mordden, Ethan (2002). Open a New Window: The Broadway Musical in the 1960s. pp. 18–20, ISBN1-4039-6013-5

External links[edit]

Do Re Mi Lyrics

  • Do Re Mi at the Internet Broadway Database

Do Re Mi Lyrics Blackbear

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